Grace and Frankie, Season 6 (MAJOR SPOILERS)

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A new podcast episode of Couch Potatoes Unite!, which is based on a blog of the same name hosted at couchpotatoesunite.wordpress.com. In this episode, recorded in June 2020, our panel of CPU! veterans – moderator Kylie, Kristen, Krista, Amie, and Samantha – reconvenes around the CPU! Water Cooler to discuss Season 6 of the quirky Netflix comedy about growing old (and growing up) gracefully, Grace and Frankie.  As always, if you have not watched any of Grace and Frankie, be aware that there are, most definitely, MAJOR SPOILERS! Tell us what you think, and/or if there are other shows you’re interested in CPU! covering, below; email us at couchpotatoesunitepodcast@gmail.com; or check out our Guestbook at the website, our Facebook page, our Twitter (@cpupodcast), or our Instagram (@couchpotatoesunite). Until next time, until next episode…buh bye!

Executive Producer/Chief Couch Potato: Kylie C. Piette
Associate Producers: Krista Pennington and Selene Rezmer

Editor: Kylie C. Piette
Logo: Rebecca Wallace
Marketing Graphic Artist: Krista Pennington

Theme Song:
Written by: Sarah Milbratz
Singers: Sarah Milbratz, Amy McDaniel, Kelsey Sprague
Keyboard: Kelsey Sprague
Bass: Ian McDonough
Guitar: Christian Somerville
Engineer/Production: Kyle Aspinall/Christian Somerville

PODCAST! – Streaming Originals & Around the Water Cooler: “Grace and Frankie” – The Season 6 Recap and Review (MAJOR SPOILERS)

Moderator: Chief Couch Potato Kylie

THE SPECS:

Who: “Grace and Frankie” is a comedy-drama web television and Netflix original series, always available on Netflix.

What:  “Grace and Frankie,” created by Marta Kauffman and Howard J. Morris, stars Jane Fonda and Lily Tomlin in the title roles of Grace and Frankie, two unlikely friends who are brought together after their husbands announce that they are in love and plan to get married. Sam Waterston, Martin Sheen, Brooklyn Decker, Ethan Embry, June Diane Raphael, and Baron Vaughn co-star in supporting roles.

SYNOPSIS

The series follows Grace (Fonda), a retired cosmetics mogul, and Frankie (Tomlin), a hippie art teacher, whose husbands, Robert (Sheen) and Sol (Waterston), are successful divorce lawyers in San Diego.  Grace and Frankie’s lives are turned upside down when Robert and Sol announce that they are in love with each other and are leaving their wives. Now, the women, who have never particularly liked each other, are forced to live together and must learn to unite and to cope with difficulties in their new lives as 70 (+)-something divorcees.

When: Season 6 was released in its entirety to the Netflix streaming library on January 15, 2020, with a total of 13 episodes.

Where: The action is set primarily in San Diego, California, and surrounding communities.

Why: To find out why individual podcast panelists started watching this show, listen to the Season 1 and 2 podcast episode via the link below!

How – as in How’s It Going? (THOUGHTS…at present)

CPU! previously caught up on this senior-oriented sitcom before continuing forward with regular “Water Cooler” episodes. To listen to talks about previous seasons of Grace and Frankie, click the links embedded below:

Seasons 1 and 2

Seasons 3 and 4

Season 5

Previously, by popular request and notably by frequent CPU! panelists and viewers unlikely to be in the intended target audience for this quirky comedy-drama, Grace and Frankie became an ongoing “Water Cooler” show on the Couch Potatoes Unite! podcast. Ultimately, those requesting CPU! faithful continue to regard Grace and Frankie as a charming comedy about growing old gracefully – but also about growing up gracefully – in these, our modern times. 

To that end, in tonight’s episode, our panelists – Kristen, Krista, Amie, and Samantha – reflect upon and recap the sixth season of Grace and Frankie, reacting to the growing cadre of quirky characters and the seemingly impossible situations in which they find themselves.  From new loves to new heartaches, from Mountain Dew to tacos to kidney donations requested by newly discovered relatives, from vibrators to motorized toilets to Shark Tank, our panel reacts to it all.

This episode was recorded in June 2020, and there are, without question, MAJOR SPOILERS, as the panelists cover key plot points, jokes, and sight gags of the sixth season. Listen at your own risk, and let us know what you think by commenting below!

Follow us on Facebook, Twitter (@cpupodcast), Instagram (@couchpotatoesunite), Pinterest (@cpupodcast), or email us at couchpotatoesunitepodcast@gmail.com – or subscribe to this blog, the YouTube channel, our Apple/iTunes channel, our Stitcher Radio channel , find us on Google Play, on Spotify, on Castbox, and on iHeartRadio (!) to keep track of brand new episodes.  In the meantime, let us know what you think!  Comment or review us in any of the above forums – we’d love your feedback!

Remember, new episodes and blog posts are published weekly!  Next Wednesday, our “Star Trek 50+ Series” returns to the Water Cooler after a brief hiatus to continue their mega-sized Retrospective Series covering all shows under the Star Trek franchise banner. Next week’s episode will talk Season 2 of Star Trek: The Next Generation. Stay tuned!

Questions, Impressions, and Future Considerations

Old Questions

1) REPEAT QUESTION: Will Jacob (guest: Ernie Hudson) return to Frankie somehow, as many of the panelists hope?

NEW ANSWER: Jacob appears in Season 6, but “returning to Frankie” is a bit of an exaggerated description for the series of events. While they do resume dating and socializing for a short time, Frankie’s experiment, in which she dates two men on the sly with Jacob being one of the two men, doesn’t quite sit well with the smooth-talking erstwhile Winston Zeddemore. Listen to the podcast episode for details.

2) Will Brianna (Raphael) and Mallory (Decker) self-actualize, countering their mother’s high standards and judgment, for once? Will Brianna find the confidence to run Say Grace and to make it successful without her mother’s help? Will Mallory advocate for herself and for her wants and needs (like a paycheck from her sister) rather than wallowing in belabored self-pity following her divorce?

ANSWER: The short answer is…sort of. Brianna runs Say Grace competently, but Grace ironically jeopardizes the ongoing longevity of the company when she claims that a rival company, Trust Us Organics, stole Say Grace’s signature scent, “Beach Rose,” from Say Grace. In reality, Grace stole the scent first when, while imbibing one too many adult libations, she passed out upon a freshly laundered patio tablecloth, clearly cleansed in some Trust Us organic detergent smelling like the scent that would become “Beach Rose” and situated very near the ocean breezes. This discovery is made, of course, after Grace tells the tale that she detected the scent in question while enjoying the wafting ocean air during a summer day on said patio. She realizes her error after she threatens to sue the pants off of the Trust Us CEO. When the Trust Us CEO is ready to retaliate in kind upon discovery of the actual inspiration of the scent, Brianna is able to inspire a truce by allowing said CEO to stage an intervention regarding the Hanson women’s propensity for alcoholic consumption – and by accepting a lucrative offer for Trust Us to acquire Say Grace as a subsidiary of its already expansive operation. In so doing, the CEO offers Brianna a hefty promotion, which would require her to move to San Francisco, but her ongoing relationship navigation with Barry motivates her to reject that promotion, leaving room for another enterprising erstwhile Hanson to apply. That erstwhile Hanson would be Mallory, who spends much of the season attempting to convince her sister that she should be better treated, only to turn the tables by accepting the new promotion, effectively making Mallory Brianna’s boss. The anticipation of sibling rivalry fueled shenanigans is strong with our panel, but we’ll have to wait to watch Season 7 to find out where it all leads.

3) Will there be more episodes with all members of both families combined in the next season? The panel votes yes.

ANSWER: There are roughly an equivalent number of episodes featuring the full complement of Hansons and Bergsteins in the same general location in Season 6 as there were in Season 5. We did not compile an official tally, though, to be honest.

4) Since Dolly Parton recently acquired a Netflix deal for her own series, will she appear, in a 9 to 5 reunion type way and with the “all in the family” approach of the streaming giant, on Grace and Frankie? The panel votes yes.

ANSWER: Dolly Parton does not appear in Season 6 (there is still time!).

5) How will Grace and Nick’s (guest: Peter Gallagher) elopement affect Grace’s friendship with Frankie and/or her living arrangement with Frankie? Why was Frankie so upset that she sank to the ground upon learning of the elopement in the Season 5 finale?

ANSWER: The surprise marriage creates some lasting effects on the unit of Grace and Frankie, and navigating these effects is one of the major journeys that these two unlikely friends must traverse this season. Grace moves in with Nick (as one does when one gets married), which means that when Grace encounters situations, like getting stuck on the toilet without the physical ability to stand, she must call Frankie to come rescue her at her new place because she is too afraid to involve Nick, as she continues to work through her discomfort with their age difference. Frankie answers the call, naturally and with “Kool-Aid man” like gusto, but there are other measurable effects on their core friendship, including Frankie’s forward observation that Grace is quick to become completely subsumed by her marriage. Also, Frankie likely sank to the ground in the Season 5 finale due to shock; after all, Grace’s elopement was a rather spontaneous decision and ensuing announcement, which proved to be somewhat cataclysmic for their friendship, as Frankie no doubt realized in the moment, though the ladies always manage to work things out in the end. Listen to the podcast episode for details.

6) The panel further votes that Robert should partake of more marijuana, since he’s so “good” on it. The “Robert/Frankie on edibles” scene was voted the panel’s most popular scene of Season 5. Will Robert and Sol endeavor to enjoy this recreation together? Will Grace ever go the cannabis route?

ANSWER: So far, neither Robert nor Grace have voluntarily opted to enjoy marijuana since Season 5, which is probably a real shame.

7) How long will Mallory date her daughter’s principal? Will Coyote’s (Embry) employment at the school affect that dynamic, even if Mallory and Coyote never couple up?

ANSWER: Mallory does not date Dan for long. As it turns out, Principal Dan is a Class-A jerk, the world’s biggest “Karen” (or “Brad” or “Dan”…wait a minute), with a real and frightening temper, who goes nuclear on a beleaguered server at a high-demand ribs restaurant because of perceived flaws in the server’s service protocols. Additionally, if Coyote is still employed at the school, none of the panelists know it. We do not see him in an employment context in this season.

8) Will Frankie assume sole proprietorship over Vybrant, since she’s running it so well, if uniquely in her way?

ANSWER: No. Grace and Frankie maintain co-ownership and co-executive operations of Vybrant – and expand their business to toilets. Listen to the podcast episode for details.

9) If Nick moves in to the beach house, what will become of Joan-Margaret?

ANSWER: Nick does not move into the beach house, so the question is moot. Joan-Margaret engages in her own antics this season, however. Listen to the podcast episode for details.

New Questions

1) Will Peter Gallagher return next season? What will become of Grace and Nick? Will Nick be released from prison? Will Grace have to support his legal trouble? Will there be a trial? Or, will Grace move on? Alternatively, will Grace decide to live the last years of her life being content with her “ride or die” friendship with Frankie?

2) How long will Robert and Sol be rooming with Grace and Frankie after Frankie’s gift of a “Rise Up” to her ex-husband floods their home?

3) What will the workplace dynamic be between Brianna and Mallory?

4) Brianna proposes a permanent engagement (rather than resolving such an engagement with a wedding) to Barry, who accepts this arrangement as a compromise to resolve their various relationship stressors this season, including his desire for more of a prioritized commitment from Brianna. Will Barry manage to convince Brianna to go the extra step?

5) Will Coyote actually marry Bud’s (Vaughn) ex-girlfriend, Jessica? Is that whole hinted-at dynamic between Mallory and Coyote in previous seasons a non-starter at this point?

6) How will Bud react to the news that Coyote is in a serious relationship with Jessica, even though everyone has moved on from the whole awkward couch situation?

7) Will Bud search for more of his biological family, now that he’s met a biological cousin (seeking a kidney, but whatever)?

8) Will Robert and Sol ever take that cruise/boat trip?

9) Will Sol find out about Robert’s donation to the community theater and the sale of their cemetery plots? How will he react?

10) Will Jacob make one more go for a future with Frankie?

11) Will the series end with Grace and Frankie, resigned to their friendship, with or without mates, sitting together on the beach?

12) Will everyone remain alive by the end of the series? Panelist Krista is worried for the characters’ safety, as many of the main characters have had significant health issues.

PARTING SHOTS

The CPU! Grace and Frankie panel continues to generally praise the series, especially the comedic performances of the four main actors and the writing overall, while agreeing that there are better episodes than others. In fact, the panelists persist in voicing a variety of reactions to the supporting characters, such as the four actors playing the grown up children of the couples in question, even as individual panelists’ have long nurtured fondness for all of the cast of characters for six seasons and by the end of this penultimate season.  In contrast to the finale of Season 5, the panel lauded the sixth season finale, describing it as near “perfect,” though some panelists struggled with moments and events in the episodes preceding this final episode, particularly related to character choices and to some uneven pacing. This sense of unease disappeared, however, when some of the panel re-watched the season, to the extent that they experienced such unease at all; some panelists, like the Moderator and Chief CP, have come to expect the unexpected and the consistently inconsistent from Grace and Frankie as a rule and, so, were not discouraged by any moment in Season 6, as the season punchlines in the finale proved to be so satisfyingly entertaining in the end. In any event, the whole of the panel championed the continuity and cleverness of the writing – especially, it seems, in this season – noting the clear simpatico between the writers and the cast, most if not all of whom have never been better in their roles as they are in Season 6. In fact, Jane Fonda, via Grace, showcases some of her finest series performances in this very season.  Ultimately, our panelists universally experience great fun while watching this series, despite any perceived warts or blemishes, and believe that most with an open sense of humor will have fun watching it too.

LOOKING AHEAD

Netflix has renewed the show for a seventh and final season, though no tentative release date has yet been announced by the streaming giant, as said release may likely be delayed due to production shutdowns caused by the COVID-19 pandemic.  Like, follow, and/or subscribe to the website, Apple Podcasts/iTunes, YouTube, Stitcher Radio, Google Play, Spotify, iHeartRadio, Castbox, or our social media accounts to stay abreast of new episodes regarding Grace and Frankie as well as new episodes for all of our podcast panels!  And, if you feel so inclined, please leave us a review. Thank you! 

TABLE READ!

In tonight’s episode, Chief CP Kylie referred to a table read performed by the cast and the head writers/producers on YouTube. To support Meals on Wheels during the COVID-19 pandemic, the Grace and Frankie cast reproduced their table read of the seventh season premiere, which was previously filmed before the pandemic shutdowns, on YouTube this past spring. The way forward is somewhat dark (as dark as a comedy can be) and full of spoilers, but if you’d like a sneak preview of Season 7 to tide you over while you wait for its release, click the delightful link below:

American Horror Story Series, Episode Nine, Season 9: “1984” (MAJOR SPOILERS)

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A new podcast episode of Couch Potatoes Unite!, which is based on a blog of the same name hosted at couchpotatoesunite.wordpress.com. In this episode, our returning and robustly full panel of casual to serious horror fans (and rotating moderators!) – including moderator Sarah, Nick, Emily (S), Kallie, Eddy, and, of course, Kylie, the Chief Couch Potato – gathered Around the Water Cooler to chat about the ninth season of American Horror Story, otherwise known as “1984.”  This is the ninth episode of an ongoing CPU! podcast series examining one of our favorite television programs throughout its anthology of various seasons depicting different and unique horror stories per season, and it was recorded in June 2020. If you have not watched American Horror Story: 1984, be aware that there are MAJOR SPOILERS. Tell us what you think, and/or if there are other shows you’re interested in CPU! covering, below; email us at couchpotatoesunitepodcast@gmail.com; or check out our Guestbook at the website, our Facebook page, our Twitter (@cpupodcast), or our Instagram (@couchpotatoesunite). Until next time, until next episode…buh bye!

Executive Producer/Chief Couch Potato: Kylie C. Piette
Associate Producers: Krista Pennington and Selene Rezmer

Editor: Kylie C. Piette
Logo: Rebecca Wallace
Marketing Graphic Artist: Krista Pennington

Theme Song:
Written by: Sarah Milbratz
Singers: Sarah Milbratz, Amy McDaniel, Kelsey Sprague
Keyboard: Kelsey Sprague
Bass: Ian McDonough
Guitar: Christian Somerville
Engineer/Production: Kyle Aspinall/Christian Somerville

PODCAST! – Around the Water Cooler: “American Horror Story: 1984” – American Horror Story Series, Episode Nine, Season 9 (MAJOR SPOILERS)

American Horror Story Season 9 Opening Credits (HD) AHS 1984 - YouTube

Moderator: Sarah

THE SPECS:

Who: “American Horror Story” airs on cable TV, specifically on FX, most recently on Fall Wednesdays at 10:00 PM, though it is currently on hiatus.

What: “American Horror Story,” a horror drama created by Ryan Murphy (Glee, Nip/Tuck) that tells a new horror story each season while featuring recurring actors and ensemble players.  This season is subtitled “1984.”

SYNOPSIS

Set in the titular year, 1984, the season follows Brooke Thompson (Emma Roberts) as she travels to a remote, newly reopened summer camp, known as Camp Redwood, to work as a counselor following a terrifying encounter with serial killer Richard Ramirez (Zach Villa). Those traveling with Brooke include preppy Xavier Plympton (Cody Fern), athletic Chet Clancy (Gus Kenworthy), easy-going Ray Powell, and spunky Montana Duke (Billie Lourd). Upon arriving at the camp, they encounter its owner, the deeply religious Margaret Booth (Leslie Grossman), who was once a camper there, and who has her own experience surviving a killer. Other residents of Camp Redwood include its nurse Rita (Angelica Ross), activities director Trevor Kirchner (Matthew Morrison), and camp chef Bertie. Not long after the counselors settle into their first week, news breaks that deranged murderer Benjamin Richter, also known as Mr. Jingles (John Carroll Lynch) and who has a violent history at Camp Redwood, has escaped a local insane asylum and is presumed to be heading for the camp.

When: Season 9 aired from September 18, 2019, to November 13, 2019, on FX with a total of nine episodes.

Where: Each season focuses on a different locale.  This season, the locales center mostly upon places in and around Camp Redwood; the name implies that it could be in California, particularly since the Xavier character participates in a particular sort of “film” industry, but the setting of the larger world is never actually explicitly stated or confirmed, and it doesn’t appear that the camp is actually located in the Redwood National Park/Forest – take that for what it is, gentle listener.

Why:  Nick and Sarah, two CPU! regulars, proposed that CPU! publish an American Horror Story podcast series, being big fans of the show, and your Chief CP, who has previously covered this program on the CPU! blog and enjoys the show quite a bit, agreed wholeheartedly to the idea. Thus, we continue our CPU! series revolving around AHS, with each episode in the series focusing on one season of the show.  The series started at the beginning and will be ongoing as long as AHS stays on the air!

How – as in How Was It? – THOUGHTS

American Horror Story is a groundbreaking horror anthology series that airs on FX.  Not only did this program render the horror genre mainstream television fare, it also propelled anthology formats to popularity.  The show is widely watched and a tent pole for FX, becoming a Halloween/fall-time cable staple of disturbing imagery and grotesque scares, at least so long as worldwide pandemics are not delaying production.

Two of CPU!’s frequent panelists, and one of our resident married couples, Nick and Sarah, are big fans of the show and, as noted above, proposed that CPU! start a series discussing AHS throughout its seasons.  We have already published our first episode in this series, chatting the first season of AHS, widely known as “Murder House;” the second episode discussing the second season, “Asylum;” the third episode discussing the third season, “Coven;” the fourth episode discussing the fourth season, “Freak Show;” the fifth episode discussing the fifth season, “Hotel;” the sixth episode discussing the sixth season, “Roanoke;” the seventh episode discussing the seventh season, “Cult;” and the eighth season discussing the eighth season, “Apocalypse.” Listen here:

Episode 1, Season 1, “Murder House”

Episode 2, Season 2, “Asylum”

Episode 3, Season 3, “Coven”

Episode 4, Season 4, “Freak Show”

Episode 5, Season 5, “Hotel”

Episode 6, Season 6, “Roanoke”

Episode 7, Season 7, “Cult”

Episode 8, Season 8, “Apocalypse”

In today’s episode, the ninth episode of this series, we cover Season 9, “1984.” As the seasons are discussed and published, moderation duties rotate among the members of our robust AHS panel.  To wit, Sarah is back at the moderating mic to talk this ninth season, having most recently moderated the panel’s “Roanoke” episode, along with returning panelists Nick, Emily, Kallie, and Eddy (and the Chief CP). 

In this episode, then, we discuss our favorite and least favorite moments within the “1984” season and our general impressions of the season’s success. Overall, the season induced largely negative reactions from our panel as compared to the preceding season, “Apocalypse,” with some panelists reacting slightly more positively than others. As a result, our panel achieves near consensus in opinion: “1984” is not one of the series’ better chapters, owing to the absence of AHS‘ mainstay players while simultaneously presenting a messy, convoluted story that tries to be both parody and homage to the so-called “slasher” type horror films of the titular decade while never quite achieving either goal. In fact, the panel universally agreed that “1984” was most successful when it focused upon featured characters with the level of detail and emotional nuance that our panel of AHS-devoted viewers have come to expect from the franchise as a whole, based upon our respective viewings and analyses of past seasons.

This podcast episode was recorded in June 2020, and there are, without question, MAJOR SPOILERS, as we cover major plot points throughout the “1984” season. Listen at your own risk, and let us know what you think by commenting below!

Follow us on Facebook, Twitter (@cpupodcast), Instagram (@couchpotatoesunite), Pinterest (@cpupodcast), or email us at couchpotatoesunitepodcast@gmail.com – or subscribe to this blog, the YouTube channel, our Apple/iTunes channel, our Stitcher Radio channel , find us on Google Play, on Spotify, on Castbox, and on iHeartRadio (!) to keep track of brand new episodes.  In the meantime, let us know what you think!  Comment or review us in any of the above forums – we’d love your feedback!

Remember, new episodes and blog posts are published weekly!  Next Wednesday, our Grace and Frankie panel of gal pals reconvenes Around the Water Cooler, for their penultimate return, to recap and review Season 6, the now penultimate season, of the popular, critically acclaimed Netflix comedy that celebrates growing old gracefully (and Frankie-fully). Stay tuned!

PARTING SHOTS

The CPU! American Horror Story Series panel generally agrees that the “1984” season is one of the more “lackluster,” if not one of the overall worst, of AHS’ nine seasons, when comparing and contrasting the overall quality of all of them. In fact, two-thirds of our panelists ranked this season only slightly better than the universally detested seventh season, “Cult,” while the other third could not rank it higher than fifth best of the nine available. For starters, though the panel did not regard the performances as necessarily terrible in this chapter, most of the panelists registered the absence of key AHS players who have dominated the series casts for prior seasons and have done so more convincingly than any one member of the current cast, including Sarah Paulson and Evan Peters. To wit, all panelists consider Emma Roberts, Billie Lourd, Angelica Ross, and John Carroll Lynch to be the better actors of the ensemble this go-round. Yet, without a solid, experienced anchor to provide a sense of grounded emotional depth and nuance to what was ultimately a messy, convoluted season that could not decide whether it was homage or parody, and one which produced a mutated hybrid of slasher flick and AHS playbook hodgepodge in its wake, our panelists collectively were left with the notion that there was something to be desired about the end product that is now “1984.” Indeed, Chief CP Kylie, the oldest member of the panel, noted that the season did not adequately reflect the decade and the year the story was set in as well as other 80s-inspired horror fare currently on the television market, such as Stranger Things. Not to mention the fact that the panel found the overarching story this season to be confusing at times, particularly as some episodes seemed thin in story execution while others were practically jam-packed with veritable plot dump and too many ideas that probably offered potential in the writers’ room but did not play and/or were not directed well on screen, including the introduction of serial killer Richard Ramirez coupled with the recycling of “angry spirit is trapped on cursed ground” motif that has dominated other AHS seasons, specifically “Murder House,” “Hotel,” and “Roanoke.”

On a more positive note, the panel voted Ross this year’s most valuable new player.  Moreover, our panelists believed that the story arcs associated with Mr. Jingles and Nurse Rita/Donna Chambers were the most satisfying, while Brooke’s and Montana’s portions of the plot, as well as the arcs of the other camp counselors, were the most confounding and least satisfying by the conclusion of the season.

More than anything else, the panel struggled to marry reality with expectations about the season as a whole. Prior to the ninth season premiere, rumors about this year’s topic projected several possible directions for the plot, all of which seemed much more interesting, upon reflection in tonight’s discussion, than the story that was told, even if AHS did not totally disappoint in this ninth season via at least decent performances by regular players as well as the inclusion of a roster of guest stars, cameos, and appearances by past AHS players, like the inimitable Lily Rabe, to attempt to elevate the proceedings to the quality and complexity of past chapters. In the end, though, “1984” was more of a bummer than a radical/tubular, if frightening and gory, television excursion to summer camp; at least, unlike some prior seasons, the writers did their best to pay off all of the story threads by the time the final notes and frames of the sappy, Mike and the Mechanics-underscored end moments of the season finale aired.

LOOKING AHEAD

Our next episode in the American Horror Story series will cover Season 10, the subtitle and release date of which has not yet been announced, due to the fact that production has been delayed by the COVID-19 pandemic.  Thus, our AHS panel will return sometime after the full airing of Season 10 and then, again, after Seasons 11-13, since the horror anthology series enjoys guaranteed longevity for four more seasons (and a spin-off).  Stay tuned!

Looking Back at Game of Thrones, Part Two of the CPU! Goodbye to Game of Thrones (MAJOR SPOILERS)

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A new podcast episode of Couch Potatoes Unite!, which is based on a blog of the same name hosted at couchpotatoesunite.wordpress.com. In this episode, recorded in January 2020 (prior to the declaration of a worldwide pandemic, when we occasionally met and recorded these things in person), our noble panel of dragon-obsessives – including moderator Kylie, Kristen, Amanda, Jay, Chelsea, and Rob – is back Around the Water Cooler and Looking Back at all eight seasons of Game of Thrones, in the second part of a two-part miniseries in which CPU! says goodbye to this long-running fantasy epic. If you have not watched all of Game of Thrones, be aware that there are MAJOR SPOILERS! Tell us what you think, and/or if there are other shows you’re interested in CPU! covering, below; email us at couchpotatoesunitepodcast@gmail.com; or check out our Guestbook at the website, our Facebook page, our Twitter (@cpupodcast), or our Instagram (@couchpotatoesunite).  Until next time, until next episode…buh bye!

Executive Producer/Chief Couch Potato: Kylie C. Piette
Associate Producers: Krista Pennington and Selene Rezmer

Editor: Kylie C. Piette
Logo: Rebecca Wallace
Marketing Graphic Artist: Krista Pennington

Theme Song: 
Written by: Sarah Milbratz
Singers: Sarah Milbratz, Amy McDaniel, Kels Rezmer
Keyboard: Kels Rezmer
Bass: Ian McDonough
Guitar: Christian Somerville
Engineer/Production: Kyle Aspinall/Christian Somerville

PODCAST! – Best Of! & Looking Back at “Game of Thrones:” The Goodbye Miniseries, Part Two (MAJOR SPOILERS)

Moderator: Chief Couch Potato Kylie

THE SPECS:

Who:  “Game of Thrones” aired on premium cable TV, specifically on HBO, for eight seasons from 2011-2019.

What: “Game of Thrones” is a fantasy drama based on the series of novels entitled A Song of Ice and Fire, by George R. R. Martin, which tells the tale of the land of Westeros and the various families and factions vying for the Iron Throne, i.e. rule of all of the seven kingdoms in a world of magic, dragons, swordplay, and death (for a more detailed Synopsis, read here).

When: The show aired in its entirety on HBO from 2011 to 2019.

Where: The show is set in the fictional land of Westeros, a world that could be Europe, could be Middle Earth, or could be most fantasy/epic realms. Westeros is divided into Seven Kingdoms, but rule of all kingdoms hails from the Iron Throne, in King’s Landing. The show follows key characters across most realms.

Why: A friend basically recommended that the Chief CP watch it and for good reason (other panelists received similar recommendations).  I, personally, gravitate toward fantasy and science fiction most frequently; fantasy is also my favorite genre to read.  I haven’t read Martin’s currently-in-progress series, as some of the panelists have, which has become something of a cultural watershed not unlike the Harry Potter novels, though I plan to do so.  Our resident book readers laud the show about as highly as they do the novels; thus, with this solid foundation, an obsession with Game of Thrones was born, for all of our (returning) panelists.

How – as in How Much Do We Love this Show?!

Couch Potatoes Unite!’s Complete Game of Thrones Coverage

Season 4

Season 5

Season 6

Season 7 

Season 8 

Our ever nobly robust Game of Thrones panel – Kristen, Amanda, Jay, Chelsea, and Rob – could not leave Game of Thrones behind forever without, at least, spending some quality time saying a contemplative goodbye to this series, which has been in our lives for eight years. After our Season 8 discussion, we agreed to reconvene (very shortly, in fact) to discuss the show as a whole, including all of its ups and downs, for Part Two of our two-part CPU! Goodbye Miniseries in which Couch Potatoes Unite! bids this fantastic, fantastical program adieu. In this second part of our Goodbye Miniseries, our panelists reminisce about what we loved and what we did not like as much from GoT’s eight seasons and ponder whether we think this series will hold up over time, as a blueprint for fantasy television series current and to come, or whether it was a bit of lightning in a bottle in terms of whatever level of quality one can ascribe to it, depending upon how much an individual viewer believes that Season 8 and the story-closing events affected said viewer’s overall regard for the entire show. In fact, the weight of how effective the final season and the series finale are is probably a question that every avid GoT viewer will wrestle with as they complete the series, in whatever iteration they have managed to complete it, for all the years to come, which is an interesting legacy to emerge for this show, given that said legacy is a direct result of the way the writers/producers chose to tell this story, which the panelists also take time to contemplate in tonight’s episode.

In any event, Game of Thrones has already appeared on several “Top TV” lists that CPU! follows, meaning that, in quick succession, the show becomes another entry in our “Best Of!” series via this “Looking Back” wrap-up episode. To wit, herein be the list of Game of Thrones’ Best Of!:

  • #7 on Empire Magazine’s 50 Best TV Shows Ever (2016)
  • #4 on The Hollywood Reporter‘s “Hollywood’s 100 Favorite TV Shows”
  • #12 on Rolling Stone’s “100 Greatest TV Shows of All Time”

In addition, Game of Thrones ranked #40 on The Writer’s Guild of America’s Best Written TV list in 2013, as it is also considered one of the best written (scripted) television series of all time.

This second part of our two-part Game of Thrones miniseries was recorded in January 2020 (back when no pandemic had yet been declared), and there are, without question, MAJOR SPOILERS, as the panelists cover key plot points of all eight seasons of the series and give the Seven Kingdoms of Westeros, the dragons, and all of the ample armies and Houses fighting for this fictional land their final, deserved due.  Give the new episode a listen, see if you agree or disagree with our thoughts, and let us know what you think by commenting below!

Follow us on Facebook, Twitter (@cpupodcast), Instagram (@couchpotatoesunite), Pinterest (@cpupodcast), or email us at couchpotatoesunitepodcast@gmail.com – or subscribe to this blog, the YouTube channel, our Apple/iTunes channel, our Stitcher Radio channel , find us on Google Play, on Spotify, on Castbox, and on iHeartRadio (!) to keep track of brand new episodes.  In the meantime, let us know what you think!  Comment or review us in any of the above forums – we’d love your feedback!

Remember, new episodes and blog posts are published weekly! Next week, the CPU! American Horror Story panel embarks upon its annual return to the Water Cooler to take on the tentatively tubular ninth season, “1984.” Stay tuned for the panel’s ruminations upon all that hot/horrible 80s hair!

RECOMMENDATION

The Couch Potatoes Unite! Game of Thrones panel unanimously recommends GoT, with an official CPU! recommendation ™, particularly to fans of epic fantasy, like The Lord of the Rings.  Whatever might be said of Season 8 and the series finale – and our panel said quite a bit in the Season 8 Review/Recap episode, i.e. Part One of this Goodbye Miniseries – the panelists all agreed that the show was aesthetically impressive throughout its eight seasons from a technical perspective, including art direction, cinematography, costuming, and visual effects; was well performed across the board with no one performance falling short; and was well written, to a point, or was, at least, well adapted when there was still available source material from which to adapt the events of the series. In tonight’s discussion, panelist Jay repeatedly utilized the phrase “the level of care and effort” to describe the high standard of visual storytelling that the (now infamous) creators, David Benioff and D.B. Weiss, devoted to their product, at least initially, to bring such a complex, fantastic world from page to screen, even if the show stumbled a bit at the end and even though the entire panel disagreed slightly on just how much of a final stumble it was. The panelists also, by and large, praised the originality of the unsafe, gritty nature of this particular fantasy story, even as the author of the source material, George R.R. Martin, drew heavy inspiration from other fantasy texts, like J.R.R. Tolkien’s Lord of the Rings trilogy, and from real life historic events, including the English War of the Roses.

Ultimately, as noted in the discussion comprising the first part of this miniseries, the panel still regards Game of Thrones as one of the most exciting programs ever to hit the small screen, but the struggles in sloppy, breakneck pacing in Season 8 (as well as, to some extent, Seasons 6 and 7), adding to the sense that the writers just wanted to be done, without thoughtfully considering everything that they had mapped out in prior seasons and without accounting for the mythology on which they heavily relied from Martin’s published novels, left our panelists somewhat dumbstruck and unable to adjust to the various curve balls tossed out in Season 8. In fact, the unexpected events and subsequent let-down for each of our resident viewers drew not unfounded comparisons to another highly-rated zeitgeist of a TV drama with complex, largely unresolved/ignored mythology by the airing of the series finale: Lost

In the end, however, are the panelists still obsessed with the show, now that they know how it all concludes?  Arguably, the ship of loyal obsession has sailed, not unlike Arya Stark’s ship of exploration in the finale’s final moments, though Chief CP/Moderator Kylie, at least, wants to re-watch the series and to consider the totality of the circumstances before making a final judgment about the overall success of Game of Thrones and though several panelists, who have not done so already, want to, at some point, make a go of reading the novels (though those of us who want to do this are hesitant to start without guarantees of completion of the remaining novels by Martin). Did the program truly end as badly as we believe, or did we impress upon the show and, therefore, upon ourselves what we wanted to see without allowing for the flexibility to consider that the creators/writers might have been more out of their depth than for what we gave them credit? Only time will tell; maybe one day, we’ll record a Retrospective that digs deeper into the series than our typical Water Cooler episodes (and, for that matter, maybe we’ll do the same with Lost) to measure if Game of Thrones truly holds up and/or if the larger reaction to the final season is unfair and/or exaggerated due to the size of Thrones’ following. For now, we (all) probably need to let that time pass before picking up the series again – or before HBO airs prequels still rumored to be in development.

THE FUTURE OF THE SHOW

Ended! Game of Thrones ended after eight seasons. Game of Thrones is currently available to stream on HBO Now (not Go, as is noted in the recording) and on HBO Max in its entirety; HBO extensions to streamers like Amazon Prime and Hulu will also, no doubt, provide access to most if not all of the complete series.  Did you watch Game of Thrones from beginning to end?  Let us know in the comments, and tell us what you thought of any or all of its eight seasons! And stay tuned!  Though our GoT coverage is primarily done, don’t be surprised if it makes an appearance or two in coming discussions, from time to time.  

In the meantime, from our steadfast GoT panel of the noble House CPU! to you, thank you for listening to our ongoing Game of Thrones series, which now officially comes to a close. To discover other shows discussed by CPU!, check here.  For now, we bid you adieu!

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The End of His Watch, Indeed: for his part in the death of Daenarys Targaryen, Jon Snow aka Aegon Targaryen (Kit Harington) is banished to the North, but the Knights of Castle Black permit him to leave with the Wildlings to roam free north of the now toppled Wall (courtesy of zombie Viserion the dragon), now that Winter has been defeated
The five members of the House Game of Thrones of CPU! Panel. Their watch has ended.
The CPU! Game of Thrones panel (left to right): Jay, Amanda, Kristen, Chelsea, and Rob

Game of Thrones, Season 8 – Part One of the CPU! Goodbye to Game of Thrones (MAJOR SPOILERS)

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A new podcast episode of Couch Potatoes Unite!, which is based on a blog of the same name hosted at couchpotatoesunite.wordpress.com. In this episode, recorded in January 2020 (prior to the declaration of a worldwide pandemic, when we occasionally met and recorded these things in person), our noble panel of dragon-obsessives – including moderator Kylie, Kristen, Amanda, Jay, Chelsea, and Rob – is back Around the Water Cooler and discussing the controversial final Season 8 of Game of Thrones in the first part of a two-part miniseries in which CPU! says goodbye to this long-running fantasy epic. If you have not watched all of Game of Thrones, be aware that there are MAJOR SPOILERS! Tell us what you think, and/or if there are other shows you’re interested in CPU! covering, below; email us at couchpotatoesunitepodcast@gmail.com; or check out our Guestbook at the website, our Facebook page, our Twitter (@cpupodcast), or our Instagram (@couchpotatoesunite).  Until next time, until next episode…buh bye!

Executive Producer/Chief Couch Potato: Kylie C. Piette
Associate Producers: Krista Pennington and Selene Rezmer

Editor: Kylie C. Piette
Logo: Rebecca Wallace
Marketing Graphic Artist: Krista Pennington

Theme Song: 
Written by: Sarah Milbratz
Singers: Sarah Milbratz, Amy McDaniel, Kels Rezmer
Keyboard: Kels Rezmer
Bass: Ian McDonough
Guitar: Christian Somerville
Engineer/Production: Kyle Aspinall/Christian Somerville

PODCAST! – Around the Water Cooler: “Game of Thrones” – The Goodbye Miniseries, Part One: The Season 8 Recap and Review (MAJOR SPOILERS)

Moderator: Chief Couch Potato Kylie

THE SPECS:

Who:  “Game of Thrones” aired on premium cable TV, specifically on HBO, for eight seasons from 2011-2019.

What: “Game of Thrones” is a fantasy drama based on the series of novels entitled A Song of Ice and Fire, by George R. R. Martin, which tells the tale of the land of Westeros and the various families and factions vying for the Iron Throne, i.e. rule of all of the seven kingdoms in a world of magic, dragons, swordplay, and death (for a more detailed Synopsis, read here).

When: Season 8 aired on HBO from April 14, 2019, to May 19, 2019, with a total of 6 episodes.

Where: The show is set in the fictional land of Westeros, a world that could be Europe, could be Middle Earth, or could be most fantasy/epic realms. Westeros is divided into Seven Kingdoms, but rule of all kingdoms hails from the Iron Throne, in King’s Landing. The show follows key characters across most realms.

Why: A friend basically recommended that the Chief CP watch it and for good reason (other panelists received similar recommendations).  I, personally, gravitate toward fantasy and science fiction most frequently; fantasy is also my favorite genre to read.  I haven’t read Martin’s currently-in-progress series, as some of the panelists have, which has become something of a cultural watershed not unlike the Harry Potter novels, though I plan to do so.  Our resident book readers laud the show about as highly as they do the novels; thus, with this solid foundation, an obsession with Game of Thrones was born, for all of our (returning) panelists.

How – as in How Was It? – THOUGHTS

For a recap of season 4, read here.

CPU! also previously published podcast episodes reviewing and recapping Seasons 5, 6, and 7.  To catch up, click the embedded links below:

Season 5

Season 6

Season 7

It’s been over a year since our noble Game of Thrones panel – consisting of Kristen, Amanda, Jay, Chelsea, and Rob – compared notes regarding the dragon-laden epic, which is just as well because for several of CPU!’s episodes in this podcast series, our panel has become increasingly frustrated with the direction of the story, only for those frustrations to culminate, along with the rest of the World Wide Web, into a frenzy of disappointment if not outright outrage following the airing of the series finale last spring. In fact, the reactions of each panelist reverberated so strongly that the events of the season were still incredibly clear and fresh in their minds, though we recorded our “Goodbye” miniseries of episodes several months after the fact (allowing time for instant reactions and furor to abate). As such, though we purposefully and thoughtfully procrastinated in recording said final season recap and review, the passing of time did little to stymie the panel’s heartfelt passion of a mostly angst-ridden nature in this, one of our final two discussions about the series.

In tonight’s episode, the first of a two-part Goodbye Miniseries in which our panel bids adieu to Game of Thrones, our panel of GoT obsessed processes the final Season 8, and, as usual, our maester-like bunch does not disappoint with their effusive opinions. We cover quite a bit of territory, revisiting all the theories, controversies, and questionably dark cinematography of battles in the last season of Game of Thrones as well as begin our comparison and contrasting of the final season versus all of the other seasons that preceded it. 

This podcast episode was recorded in January 2020 (back when no pandemic had yet been declared), and there are, without question, MAJOR SPOILERS, as we cover major plot points throughout the eighth and final season of GoT. Listen at your own risk, and let us know what you think by commenting below!

Follow us on Facebook, Twitter (@cpupodcast), Instagram (@couchpotatoesunite), Pinterest (@cpupodcast), or email us at couchpotatoesunitepodcast@gmail.com – or subscribe to this blog, the YouTube channel, our Apple/iTunes channel, our Stitcher Radio channel , find us on Google Play, on Spotify, on Castbox, and on iHeartRadio (!) to keep track of brand new episodes.  In the meantime, let us know what you think!  Comment or review us in any of the above forums – we’d love your feedback!

Remember, new episodes and blog posts are published weekly!  Next week, we will publish the second part of this two-part Goodbye Miniseries, in which our Game of Thrones panel returns to the Water Cooler to Look Back at the show as a whole in one last melancholy chat now that all is said and done. Stay tuned!

Lingering Questions

1) REPEAT QUESTION: Is the Azor A’hai the same as the Prince Who Was Promised? Is the Azor A’hai one person? If so, is it Jon (Kit Harington) or Danaerys (Emilia Clarke) or someone else?  Or, is it the combination of three people who can ride Dany’s dragons? And who are those three people…? Jon? Dany? Tyrion (Peter Dinklage)? Anyone else?

NEW ANSWER: The Azor A’hai and the Prince Who Was Promised are two names for the same basic concept; however, the show falls short of enumerating an explicit answer for this theory in the final season. For example, the Prince Who Was Promised/Azor A’hai is supposed to be the figure responsible for defeating the Night King and beating back the Armies of the Dead during the prophesied “Long Night.” The translation of “Azor A’hai” is also supposed to be gender neutral. Arya Stark (Maisie Williams) defeats the Night King in Episode 3, “The Long Night.” She is technically a princess of Winterfell/House Stark, but does Arya fulfilling this purpose mean that she is the Prince Who Was Promised (which is rendered even more significant by the fact that Arya frequently defied gender norms in order to take actions and to make choices typically thought to be male-only in the fictional universe of Thrones)? Also, Jon, due to his acknowledged Targaryen lineage, successfully rides Rhaegal, but who ultimately can ride a dragon seems to factor little into the other prophecy. All in all, the panel’s consensus of opinion is that the series writers/creators mishandled the book-to-screen depictions of the various prophecies, leaving far too much to the imagination. Only George R.R. Martin can save us now, and he’s running on borrowed time after years of perfectionism-related book drought and distractions created by selling his intellectual property to HBO. The question is: will anyone care when Book 5 (or 6 or 7) is finally published?

2) REPEAT QUESTION: Will we see “Clegane-bowl,” i.e. the Hound (Rory McCann) v. the Mountain in hand-to-hand combat in the war to come?

ANSWER: Yes. To panelist Kristen’s delight, we see the much clamored-for and much ballyhooed Clegane-Bowl in Episode 5, “The Bells.” Listen to the podcast episode for details.

3) The panelists predict 6 to 1 that Cersei (Lena Headey) will meet her maker next season: will it be Jaime (Nikolaj Coster-Waldau, as we hope) who ultimately ends her life? Will it be Tyrion, though he is not one for getting his hands dirty and though he tries to make amends with his rotten older sister at the end of Season 7? Or, will it be Arya, wearing the face of Jaime after offing him first and then using the power of the Many Faced God to complete her list?  Or, will it be the alleged baby that Cersei is now purportedly pregnant with, as she informs her brother that it is his, of course, what with all of their twincesting, at the end of the season?  Although, the baby would be her other children’s younger brother, and is that idea really within the purview of the prophecy?  Panelist Kristen also surmises that Cersei could die in childbirth, like her mother; could have a miscarriage; or could end her pregnancy, though the panel determined that neither of these ends really satisfy as much as the first three proposals.  What we know is that we are agreed: Cersei will die.  It’s just a question of when and how.

ANSWER: See below (SPOILERS).

* Cersei does, in fact, die. After Drogon torches King’s Landing (listen to the episode for details), the Red Keep collapses on top of Cersei and Jaime, who has returned to Cersei for the purpose of ensuring that she escapes King’s Landing when Dany comes for her; this collapse crushes them lifeless in Episode 5.

* No one kills Cersei, per se. Jaime does lead Cersei down into the crypts of the Red Keep, where both of their fates are met. How was Maggy the Frog’s prophecy worded? “And when your tears have drowned you, the valonqar shall wrap his hands about your pale white throat and choke the life from you.” Valonqar is Valeryian for “little brother.” Is Cersei besot by tears as she and her twin brother/lover flee to the Red Keep crypts? Does Jaime essentially cause Cersei’s death, and his own, by leading her down there? Is crushing by castle the same as wrapping hands around Cersei’s throat and choking the life from her? On the other hand, Daenarys is riding Drogon at the time, and she is the younger sister of her House, as well as being the only commonly known survivor (apart from Jon Snow/Aegon Targaryen), and we all know how Valeryian can be “gender neutral” in the use of certain terms (see also: Azor A’hai). Is Dany the Valonqar? Or, is Maggy’s prophecy much ado about 2/3 of it and not so much about all of it? Or, did David Benioff and D.B. Weiss fumble at the goal line (the panel believes that this latter scenario is likely the real one)?

* Cersei is truly pregnant with Jaime’s child; however, she loses it all when she loses her life.

4) Now that Jon Snow and Dany have fallen in love, not knowing their true relationship – i.e. that Dany is Jon’s secret aunt – will Dany become pregnant with a human baby?  Will that baby be, in fact, the Prince Who Was Promised?  The Song of Ice and Fire?  The Azor Ahai?  The Savior of All?  Will the show finally answer the question of that mystical entity’s identity: Jon, Dany, or the offspring of Ice and Fire, respectively?  How much ice and how much fire does one story possibly need?! (Okay, we agree…a lot, when it’s called A Song of Ice and Fire).

ANSWER: There is no baby created between Jon and Dany. The show seems to posit, without confirming explicitly, that Arya is the Prince Who Was Promised, but the “Song of Ice and Fire” seems most assuredly to be the “Tale of Houses Stark and Targaryen,” though House Stark’s tale also includes Sansa (Sophie Turner), Arya, and Bran (Isaac Hempstead-Wright). Listen to the podcast episode for details.

5) The panel universally predicts and agrees that there are two major battles left.  One: fighting to fend off Winter, i.e. the White Walkers.  Two: the fight for the Iron Throne.  Which will come first?  Will the White Walkers be beaten back?  Will the Iron Throne remain standing after all is said and done?

ANSWER: There are, in fact, two major battles. The battle to fend off Winter transpires first, throughout Episode 3, “The Long Night.” (SPOILER) The White Walkers are defeated. The fight for the Iron Throne is not so much a battle of swords and horses but one of dragon-razing and words: Danaerys takes a controversial turn in Episode 5 and decides to take King’s Landing by force, using Drogon to level the entire city and all of its (innocent) residents. She is defeated only when Jon Snow, who still has her trust, approaches her with a ploy to consummate their incestuous romance, which he previously denied when he learned his true parentage from Sam (John Bradley) in Episode 1, “Winterfell,” by attaining audience with her in the throne room of the Red Keep, marred by Drogon-causing ash, and by stabbing her in the heart in the series finale, “The Iron Throne.” Upon her death, Drogon commits his final act of “burnination” by breathing fire upon and melting the actual Iron Throne, thereby causing Tyrion and the other remaining Westerosi leaders to decide how rule of the Seven Kingdoms should thereafter be facilitated. Listen to the podcast episode for many more details.

6) Will both Jon and Dany survive the series?  Panelist Rob predicts that Jon will nobly sacrifice himself for the good of all.  The rest of the panel, panelist Amanda most reluctantly, feels that Dany’s tragic death, after all of her struggle to be ruler of Westeros, is the more likely scenario.  We expect her to sacrifice herself for the good of all, including her dragons, her Jon, and her country.  Of course, everyone hopes everyone will survive, but the show already took out a dragon, and after seven seasons, we know that nothing is safe, even as Jon Snow knows nothing.  Still.

ANSWER: No. As above, Jon Snow takes Daenarys Targaryen’s life after she, controversially, shows herself to be a ruthless conqueror, not unlike her father, the Mad King Aerys. Jon survives but does not assume overall rule of the Seven Kingdoms, despite the fact that he could. Listen to the podcast episode for details about this crucial climax and our panel’s reaction.

7) Will Tyrion survive?  What was with his suspicious look when he saw Jon and Dany enter a room together, making googly eyes at each other, about to do some unbeknownst-to-them incest??  Panelist Kylie predicts that Tyrion will survive and will be the character who provides the end commentary about the future fates of Westeros.

ANSWER: Tyrion survives and provides an Emmy-worthy monologue about the potential landscape of governing future Westeros, which more or less satisfies the Chief CP’s prediction. As for his suspicious look at Jon and Dany, he was simply wary that this romance/liaison would be distracting to the larger purpose of ensuring the fate and future of Westeros with Dany’s installation as queen. He wasn’t entirely wrong about that, but it was such a small distraction, really.

8) Will Sansa end up being Queen in the North?  Will Winterfell survive?  Or, will the Walkers lay waste to the north, resulting in the Starks abandoning their ancestral home, as panelist Jay predicts?  Will Sansa be around to help rebuild?  Or, will she fall in defense of the North that she loves?

ANSWER: Sansa survives and is appointed Queen in the North by the new King of Westeros Bran (listen to the podcast episode for details). Winterfell survives and becomes an independent kingdom, though one willing to be of help and aid to the kingdoms of the South.

9) Will Arya survive?  Will she do something awesome in battle, like take out some White Walkers?  Will she kill Jaime?  Will she kill Cersei?  If she does survive, what will be her life’s purpose, should her vendetta list no longer apply?  Will she at least get to see Jon before too long?  They’re each other’s favorite not-quite-sibling.  It would be nice.

ANSWER: Arya survives and does some stuff….LIKE TAKE OUT THE NIGHT KING! Arya ends up being the biggest of hero of the story. She does not kill Jaime and is dissuaded from killing Cersei by the Hound. She does receive a nice assist from Jon in the Battle for Winterfell as she ninja-stabs the Night King in his torso, preceded by a loving reunion to start the season and succeeded by a loving goodbye to end it, once the kingdoms survive the ordeals of Season 8, and once Arya is persuaded to abandon what is left of her vendetta.

10) Why should we bother or care about House Greyjoy at this point?  Seriously, though, show.  Several panelists, Amanda most of all, predict that Theon (Alfie Allen) and Yara might have some redemption deed to do in one or both of the upcoming battles.  Most of us just find it hard to care more about them than other characters still in the game.

ANSWER: Amanda is correct. Though Yara does not do much individually, she and her brother make a stand with the men from the Iron Islands to attempt to protect Bran, who is hiding by the Weirwood tree at Winterfell, acting as bait, as he is the draw for the Night King as he comes South, spurred by their previous encounter in Season 6. Theon, as it turns out, dies in the act of protecting Bran from the onslaught of the Night King and the White Walkers, just before Arya swoops in and ends them all, once and for all. In this way, Theon is redeemed, as he dies protecting the Starks.

11) Will anyone save Viserion the Dragon?  Will the other dragons, Rhaegal and Drogon, survive?  WILL THERE BE A THREE-HEADED DRAGON RIDING SITUATION IN THE END?  PLEASE?

ANSWER: Since Viserion is a wight dragon, he dies the permanent death upon Arya’s execution of the Night King. Sadly, Rhaegal also is a casualty of Season 8, as he runs afoul of Qyburn’s ballistas, housed aboard Euron Greyjoy’s portion of the Iron Fleet, when Daenarys controversially decides to storm the breeches of King’s Landing in Episode 4, “The Last of the Starks,” with battle-weary forces depleted by the White Walkers in Episode 3. Drogon survives the series, but, sadly, there is no three-headed dragon riding situation, and it is possibly one of the most deeply disappointing developments, on top of a sizable handful of them, of Season 8.

12) Are the Lannisters, any of them, secretly Targaryen offspring?  Kylie’s money is still on Tyrion, but how would we even know that now?  Would it matter, except for the purpose of fulfilling the Three-Headed Dragon theory that may or may not come to pass, on account of zombified Viserion flying around the unfriendly skies?

ANSWER: If they are, we will never know from the show, and it wouldn’t matter but for the Three-Headed Dragon theory, which the show essentially discarded altogether.

13) Will Bran or Sam finally tell Jon who his real parents are?  And if either of them do, what difference will that information make, other than to prove that Jon has, currently, the most legitimate claim to the Iron Throne, given that Rhaegar, his biological father, legitimately but secretly married to Jon’s mother, Lyanna Stark, at the time of his death, was the true heir to the throne prior to Robert’s Rebellion?

ANSWER: Sam tells Jon in Episode 1, and this information essentially spurs two events: first, Jon tells Dany that they can’t be in love and stuff because, ew, incest, and second, Dany has to reevaluate just how much it means to her to have the Throne when he has the more legitimate claim. The end result is that she decides she wants it so much, she’s willing to make rash, flawed tactical choices to realize the ends to her means, including her long march across the lands. Of course, the information might have made more difference if Daenarys had not snapped in Episodes 4 and 5, or if there was a push to reinstate potential claims on whatever throne is left, but Jon, weary of the politics of the realm and permanently scarred by being in the position of having to take out his aunt Dany, renounces any claim he had to the Throne and agrees to be shipped to Castle Black in an effort to appease the Unsullied, who are willing to keep all the wars going in vengeance for the death of their white-haired Queen.

14) What is Bran’s ultimate purpose as the Three-Eyed Raven?  Will he be the magic that keeps the White Walkers at bay in the end, as panelist Jay predicts? Will he warg into direwolves or zombie dragons to save the day, as panelist Chelsea predicts?  Where will Bran end up?  Of course, several panelists estimate that he’ll just live out his days creepily telling everyone that he is the Three-Eyed Raven, no matter what happens in this Game of Thrones.

ANSWER: As it turns out, Bran’s ultimate purpose is simply to be bait for the Night King and to be appointed King of Westeros upon the destruction of the Iron Throne, though the part about staying creepy is true. Listen to the podcast episode for the panel’s strong reactions to this information.

15) Did Tormund Giantsbane (Kristofer Hivju), who was on the parapets of the Wall at the time that zombie Viserion blue-fired it into ash, survive this onslaught?  Many of the panel, with the somewhat strong exception of Jay, wish for Tormund and Brienne of Tarth (Gwendoline Christie) to have gigantic babies, which necessarily requires that he stay alive.

ANSWER: Tormund survives and fights valiantly at the Battle of Winterfell before returning to the North and the rest of the Wildlings. He does not make gigantic babies with Brienne; unfortunately, she only has eyes for Jaime, to which our panelists also strongly react in tonight’s episode (listen to it already!).

16) Or, is Brienne finally going to get requited admiration from Jaime, who decides to ride North, away from his selfish sister, when she refuses to form an alliance with Houses Stark and Targaryen to defeat the White Walkers?

ANSWER: Brienne gets sex and, perhaps, an ounce of respect from Jaime, but not so much requited admiration of a romantic type; it turns Brienne into a bit of a weepy mess, and Jaime ultimately returns to Cersei. Again, listen to the episode. The panel kind of spent a proportionately longer time on this topic than on some others.

17) What will Sam and Gilly (Hannah Murray) do once – and if – they share the information they learned from Oldtown with Jon Snow?

ANSWER: They fight at Winterfell, and they survive. The information sharing itself does little beyond fulfill Sam’s desire to place Jon in a position to stake a claim to the Iron Throne, which he does in retaliation for learning from Dany that she had his father and brother dragon-torched in Season 7 for defying her. Hey – listen to that podcast episode now.

PARTING SHOTS

How can I summarize our panel’s reactions, gentle listener? Just like, apparently, the rest of the world, our panel expressed varying levels of explicit disappointment in what became Game of Thrones’ final season. Though our panel, like everyone else, quivered with anticipation prior to the beginning of Season 8, each passing episode, as they aired, only served to confound if not outright anger our resident Thrones viewers with each subsequent choice made by writer/creators David Benioff and D.B. Weiss, whether it was the (possibly too) dark battle for Winterfell in Episode 3 or the shocking turn of character for Daenarys Targaryen in Episode 5 or the ultimate fate of Jon Snow in Episode 6. The panelists disagreed at notable points about what was effective and what was not in the final season, but there was definite consensus surrounding the idea that Season 8’s execution was entirely too rushed, owing to the shortened episode order; entirely too messy; and its payoffs entirely too unearned, given how the writers steered the larger story from the beginning, even in the seasons not supported by the source material: the Song of Ice and Fire novels. Though the episodes were, mostly, beautifully rendered and shot from a visual perspective, and though the cast poured their passion and soul into the work that they had cumulatively nurtured for nearly ten years, the character decisions as fueled by the writers’ choices left all of our panelists unsettled, sometimes in common with events about which the internet was most vocal and sometimes for reasons that were often overlooked by the internet in the heat of the collective, emotional immediate reaction to first-time viewing.

Ultimately, the panel still regards Game of Thrones as one of the most exciting programs ever to hit the small screen, but the struggles in sloppy, breakneck pacing in Season 8, adding to the sense that the writers just wanted to be done, without thoughtfully considering everything that they had mapped out in prior seasons and without accounting for the mythology on which they heavily relied from George R.R. Martin’s published novels, left our panelists somewhat dumbstruck and unable to adjust to the various curve balls tossed out in Season 8. In fact, the unexpected events and subsequent let-down for each of our resident viewers drew not unfounded comparisons to another highly-rated zeitgeist of a TV drama with complex, largely unresolved/ignored mythology by the airing of the series finale: Lost.  Still, the panel acquiesced that nearly all of the final six episodes remained fraught with tension and grand spectacle, with excellent visual effects and some of the most superb acting currently on the small screen as well as thoughtful dialogue, like Tyrion’s final monologue to implore the great Houses of Westeros to appoint Bran as their overarching King.  

In the end, however, are the panelists still obsessed with the show, now that they know how it all concludes?  Arguably, the ship of loyal obsession has sailed, not unlike Arya Stark’s ship of exploration in the finale’s final moments, though Chief CP/Moderator Kylie, at least, wants to re-watch the series and to consider the totality of the circumstances before making a final judgment about the overall success of Game of Thrones. Did the program truly end as badly as we believe, or did we impress upon the show and, therefore, upon ourselves what we wanted to see without allowing for the flexibility to consider that the creators/writers might have been more out of their depth than for what we gave them credit? Only time will tell; maybe one day, we’ll record a Retrospective that digs deeper into the series than our typical Water Cooler episodes (and, for that matter, maybe we’ll do the same with Lost) to measure if Game of Thrones truly holds up and/or if the larger reaction to the final season is unfair and/or exaggerated due to the size of Thrones’ following. For now, we (all) probably need to let that time pass before picking up the series again – or before HBO airs prequels still rumored to be in development. After all, the palpable sense of, well, betrayal still hovers in each of the panelists’ minds, evidenced throughout the discussion in tonight’s episode.

LOOKING AHEAD

Game of Thrones has officially ended, but the CPU! GoT podcast panel is not quite finished! We will publish a second part to this Goodbye Miniseries, in which we will Look Back at the series as a whole, next week! Stay tuned, subscribe, like, and follow to keep abreast of that publication, and tell us what you think in the comment forums and/or review us wherever you get your podcasts!  Until next week!  Stay tuned!